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—Carl Finch’s Texas quintet, Brave Combo, continues its longtime musical mission to squinch together myriad vernacular styles into a giant, multicolored Play-Doh ball of polka-scented fun.

Founded in 1979, the accordionist’s combo draws upon an encyclopedic and irrepressibly perky repertoire of border styles and rootless cosmopolitanisms, from cumbia, merengue, and norteño to klezmer, polka, and hard-core hokey-pokey.

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So far, the series — which has been running since June 22 — has hosted appearances by Graham2, the AThomas Project, Mindy Jackson, NOW Dance Project, the Peridance Contemporary Dance Company, and more.

It all leads up to the concluding program, on July 20, of Hope Boykin Dance, Julia Ehrstrand, Gabrielle Lamb, and Earl Mosley’s Institute of the Arts.

Fun fact: Leonard Nimoy (a/k/a Spock) (a/k/a excellent photographer of awesome fat women) hosted the original, and now Zachary (also a/k/a Spock) is taking over the reins. In addition to the programs at the giant Walter Reade Theater, free screenings and discussions take place in the FSLC’s Elinor Bunin Monroe Film Center Amphitheater across the street.

They’re just two wonderful men gracing our TVs and bringing us all sorts of shock and awe and good vibes. Grab an all-access pass, another discount package, or single tickets and enjoy the comfy, commercial-free cinema environs. The third season of this Netflix docuseries about junior college football moves from East Mississippi Community College to Independence, Kansas, where a new crop of NFL hopefuls balance school and sport while their coach screams obscenities in their faces. , with the action shifted to the pre-Columbian archeological sites at the Mexican pyramids, the sixth of six films by the preternaturally sophisticated and erudite American writer-director Albert Lewin () suffers from most of the usual balderdash that hindered Cinema Scope travelogue pictures of every stripe.

This gig features a rare reappearance by fan-favorite former members Bubba Hernandez and Jeffrey Barnes.

—The feverish highlight of last winter’s Globalfest, Jupiter & Okwess brought fresh, brash regional rhythms from the Democratic Republic of Congo to blustery Times Square.If it’s a fantasy, it’s in the same family as On Fridays at 6 p.m.this summer, Tiffany Rea-Fisher curates free outdoor concerts, with multiple dance companies performing nightly on an elevated stage.Bokondji was born in the Sixties and has processed his country’s various stages throughout the decades.In that light, “Nzele Momi” demands respect and security for women to an increasingly urgent four-on-the-floor beat, while “Benanga” mocks monarchs and all other forces of exploitation. That is to say, it depicts, through its drama, its character interactions, and its visual style, an actual historical process, in all its messiness, contradiction, and ridiculousness: the replacement of one class by another, the consolidation of a scattered land of fiefdoms and nation-states into one country.Even the most intimate scenes seethe with a sense of change, of a society transforming before our very eyes.

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